Because this section is free of charge, community events are subject to run based on available space. Religion items are published on the Saturday church page. Email events to [email protected].
TODAY, MARCH 16
ADULT ARTS AND CRAFTS: Let creativity shine to create a cute craft or inspiring art piece from 5:30 to 6:30 p.m. at Ruby B. Archie Library auditorium. Ages 18 and up. No fee. Registration is required by calling, 434-799-5195.
FRIDAY, MARCH 17
FAMILY GAME NIGHTS: Relax with family and come out for a fun night of board games, sports and outdoor games at Coates Recreation Center from 5:30 to 7 p.m. No fee. Registration required by calling, 434-799-5150. Sponsored by Parks and Recreation.
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SATURDAY, MARCH 18
CARS & COFFEE: Old Dominion Classic Sports Car Club will hold Cars & Coffee from 9 to 11 a.m. at Crema & Vine, 1009 Main St. For more information, call 434-548-9862.
JAPANESE CULTURAL EVENT: George Washington High School Japanese class and club will host the third annual Japan Day free event in the GW auditorium from 11 a.m. to 3 p.m. There will be Kendo, Taiko Drumming, a tea ceremony, prizes and more. Register online at https://tinyurl.com/yse2tj2z.
CLASSIC MOVIE CLUB: Enjoy a classic movie with discussion following at the Ruby B. Archie Library auditorium from 11 a.m. to 1:30 p.m. “The Adventure of Robin Hood” (1938) for ages 18 and up. Registration required by calling, 434-799-5195. No fee.
ARCHERY 101 WORKSHOP: Learn the basic safety, anchor points, draw and release, care of equipment and essential safety skills with a USA Archery certified instructor for ages 5 to 17 at Coates Recreation Center from 10:30 a.m. to 12:30 p.m. Cost is $12. Registration required by calling, 434-799-5150.
HOMESTEADING 101: Learn from local homesteaders Ben and Amber Martin at Glenwood Community Center from 10 a.m. to noon. No fee. For ages 5 and up; registration is required a week prior.
MONDAY, MARCH 20
PRESSURE CANNER LID TESTING: Virginia Cooperative Extensive Office, 19783 U.S. 29 South, Suite C, Chatham, will check pressure cooker lid and gauge used for canning at no cost from 9 a.m. to 4 p.m. For information, call 434-432-7770.
TUESDAY, MARCH 21
THE WRITE…
, To read the original article from godanriver.com, Click here
Correspondent photo / Sean Barron
Laurie Fox, the Poland Township Historical Society’s president, stands next to the sign for the Little Red Schoolhouse in Poland, where the society has most of its meetings.
POLAND — It’s been said that the Schwebel’s Baking Co. is Youngstown born and bread, and you could add that Laurie Fox is Poland born and bred.
“We do walking tours in (Poland) Village along South Main Street,” said Fox, 71, who grew up in Poland and is a 1969 Poland Seminary High School graduate.
She was referring to one of the duties of the Poland Township Historical Society, for which she has served about four years as president.
The historical society, formed in 1979, is dedicated largely to promoting the township’s heritage and landmarks, educating and fostering a greater interest in Poland’s history and maintaining The Little Red Schoolhouse, 4515 Center Road, which the Poland Board of Education owns and the society leases for $1 per year.
The building also is on the National Register of Historic Places.
For her part, Fox organizes such walks on South Main, along which is a series of homes and businesses that were established in the 1800s.
For such occasions, members dress in period clothing and conduct re-enactments, Fox explained. Also included on tour itineraries are the Riverside and Poland Presbyterian cemeteries, the latter of which is the resting place for many of the township’s original settlers, she noted.
“It’s a history lesson for the kids,” Fox said.
She also serves on the Poland Township Park Advisory Board, with a primary goal of increasing interest and activities in the 107-acre park off Moore Street. Plans are to build a gazebo and swing sets, as well as to add facilities for those interested in pickleball, sand volleyball and disc golf, Fox noted.
In addition, she has served eight years as treasurer for the Holy Family Seniors Group at Holy Family Parish on Center Road, for which Fox’s mother, Ruth Burns, was president. Seniors meet once per month, and Fox makes her presence felt in other, more overt ways.
“I’m the bingo caller for bingo,” she said with a chuckle, adding, “They’re very active with the community.”
Her Poland-related activities don’t end with the last winning letter and number, however. Fox also is part of the McMurray, Pa.-based nonprofit National Slovak Society USA, as well as the local chapter, which have an estimated 37,000 and 1,000 members, respectively.
The NSS’ main mission is to offer its fraternal family a measure of financial security via annuities and insurance, its website states.
Specifically, Fox is on the NSS National Board of Directors and president of the local Assembly 0731 chapter, which also provides activities for children.
In 2009, Fox, who also is an amateur photographer, retired after having worked 35 years as administration secretary for the superintendent of the Mahoning County Educational Service Center.
“I just knew she could do a great job (for the Poland Township Historical Society), and she’s met every expectation as a president to follow me,” said Larry Baughman, who served in that capacity from 2014 to 2018, adding, “She’s great with photography and communications, and is a great leader.”
These days, Fox and other society members are busy leading the charge to beautify and add to The Little Red Schoolhouse, which was built in 1858 but ceased to function as a school in 1915. Those efforts include plans to add flowerbeds and a donated shed in the rear, Fox explained.
After 1915, the building occasionally was used for church services and other functions, she continued.
In the 1980s, after it had fallen into disrepair, an addition was made to the building, and it procures and houses numerous donated artifacts related to the township’s history. Among them is a display case that contains portraits of former President William McKinley, whose boyhood home was in Poland, as well as filing cabinets with records of Poland’s early history.
Recently donated to the historical society was a replica of the former Deposit & Savings Bank near Riverside Drive, which was chartered in 1875.
In addition, the Poland school board meets in the former one-room schoolhouse once per year, Fox added.
To suggest a Saturday profile, contact Features Editor Burton Cole at [email protected] or Metro Editor Marly Reichert at [email protected].
Vida Stabler was a 1970s teenager the first time she saw her own people, the Umoⁿhoⁿ, represented in artwork.
She walked with her Omaha Central High School art class across the lawn north of the school and entered the Joslyn Art Museum.
What she found, in a collection of watercolors including a portrait called “Omaha Boy,” would influence her career spent teaching the traditions of the people also known as the Omaha.
That expertise recently brought Stabler, now 64, back to the museum and again in front of the paintings of famed artist Karl Bodmer. Now, it was she who commanded the audience’s attention.
Museumgoers fanned out around her as she sat and pointed to the frame behind her on the wall: “Omaha Boy.”
What would his life have been like, she asked, this child of her tribe standing for a portrait in 1833? Who was this boy posing at a trading post a few miles from where, a century later, the Joslyn would be built on the lands of the Umoⁿhoⁿ?
Stabler’s answers to those questions are why the museum invited her and other Natives — including people whose tribal ancestors are depicted in the paintings — to take a leading role in the current exhibit, “Faces From the Interior.”
The exhibit, on display through May 1, features 90 watercolor portraits Bodmer painted after an epic 1830’s journey up and down the Missouri River. His portrait subjects: Native people of the Northern Great Plains.
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The collection, considered a defining body of Western art, is now on view oh-so-close to where Bodmer once set up his easel.
But the paintings arrived here only after a wild journey. They went by boat to Bodmer’s Paris studio, then languished in a German castle before a post-World War II discovery brought them back stateside. Omaha energy company Northern Natural Gas bought the collection and loaned it to Joslyn in 1962. The loan became a gift in 1986, after Northern became Enron — but before Enron became infamous.
“Faces” is the first Joslyn exhibit focused solely on Bodmer’s portraits. It’s also the beginning of the museum’s effort to study the works from an Indigenous perspective, said Joslyn chief executive Jack Becker.
“It’s a collection that should be seen from multiple points of view,” Becker said.
Native artists, activists and educators now have a voice in how these works — their own family portraits — are displayed and interpreted. Their insights tie the challenges their tribes wrestle with today to the pressures that U.S. policies put on the people Bodmer painted.
Visitors walking the gallery can experience these contributions: companion art pieces, video documentaries, written and audio messages.
Stabler, speaking at a gallery talk, looked at Bodmer’s painting of the Umoⁿhoⁿ boy wrapped in a bison robe. She saw his forehead streaked with vermillion, the bangles circling his wrist, a plume tied in his hair.
“If ever I saw an elegant young Umoⁿhoⁿ boy, that was him,” Stabler said.
She said he would have lived in a warm earth lodge. He would have collected wood and hauled water. He would have learned about his tribal clan in the ceremonies that brought people together in a circle representing the cosmos.
He’s not much different, she said, from the children she teaches today, at Umoⁿhoⁿ Nation Public School in Macy, the Omaha Reservation town, pop. 1,045.
“We’re resilient,” she said. “Even though we live in a whole different world, there is something beautiful and innate about our children.”
Stabler’s approach to preserving her language and teaching it to her students was influenced by Bodmer and his employer.
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In 1832, Bodmer was hired by a German prince, Maximilian of Wied-Neuwied, on a mission to study the plants, animals and people of what he called “The natural face of North America and its aboriginal population.”
The prince sensed he was running out of time. Settler encroachment, disease and U.S. government policy had already decimated some Native tribes.
Arriving in Boston on Independence Day, 1832, Maximilian wrote, “I looked in vain for the original American race, the Indians; they have disappeared from this region.” Steaming up the Missouri past Bellevue in Spring 1833, he saw survivors scarred and blinded by smallpox.
The prince’s and artist’s trip to visit Northern Great Plains tribes fell squarely between Lewis and Clark’s expedition, begun in 1804, and the Homestead Act of 1862. From open prairie, to private ownership, in less than one lifetime.
What Maximilian and Bodmer brought back to Europe in journals and paintings is now considered one of the most accurate pre-photography records of the American West.
Recently, Omaha artist Steve Tamayo studied the Bodmer painting “Wahktä́geli, Yankton Sioux Chief” to recreate the man’s feathered headpiece in three dimensions for the exhibit.
Tamayo, a member of the Sicangu Lakota tribe, worked in his studio, teaching his grandson, Izzy Tamayo, at his side. He cut cloth, trimmed eagle and hawk feathers, stretched sinew and deer hide, and mixed mineral pigments to craft the piece. Each notch in a feather and each red stripe represent a battle achievement, he said.
Bodmer’s documentation is meaningful to Tamayo in light of government policy that aimed to strip Native people of culture and language. As an artist, he tries to revive cultural identity.
Working with the Joslyn is “an awesome opportunity to show that this way of life still exists, but we need to teach the next generation.”
The portraits have helped Lestina Saul-Merdassi of Omaha reconnect with her heritage. She recently greeted museum visitors in the Dakotah language, then translated: “‘It’s good that you are all here, and I greet you all with a heartfelt handshake.’”
Looking up, she explained, “I had to read that off my phone, because I’m in the process of relearning my language.”
Saul-Merdassi, a member of the Sisseton Wahpeton Oyate tribe, is an addiction counselor, a powwow dancer and an advocate in the “MMIW” movement to raise awareness of missing and murdered indigenous women.
She saw herself in one of the few portraits Bodmer made of a woman.
“When we talk about our history, not everything is all powwows and beauty,” she said. “Some of us are still healing from what our ancestors went through.” By turning to tradition: “We’re on the mend.”
The exhibit’s perspective is part of an “orientation shift” happening in the art world, said exhibit curator Annika Johnson, the Joslyn’s first-ever associate curator of Native art. The new role will continue into the future thanks to an endowment established by museum board chair Stacy Simon.
Johnson works to build relationships with Native people within and beyond museum walls. She launched a Native art advisory committee, opens the Joslyn’s archives to Native elders and tribes and mentors Native students.
This work to preserve and share Native art and history is crucial, said Stabler, who learned something from the Bodmer collection.
“If we don’t write things down, maybe we’re going to miss something,” she said. “Will we have the time to teach that lesson, or tell that story? Or will they be forgotten?”
The Flatwater Free Press is Nebraska’s first independent, nonprofit newsroom focused on investigations and feature stories that matter.
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The boy stares across a long, sloping field of grass beneath late-afternoon sun, tugging absently at a sweatband on his wrist. With an orange plastic disc in hand, he begins his throwing motion, his body winding up like a spring. Lightning fast, he uncoils and snaps his arm into a well-trained throw, unleashing the disc at a shocking velocity. My eyes widen as I calculate the rapidly expanding distance this kid has just thrown his drive — a throw much farther than I, a 43-year-old (somewhat) grown-up man, have ever achieved in two decades of playing disc golf.
“What is that, a couple hundred feet?” I ask, hopefully masking my alarm and growing sense of inadequacy.
The boy, 11-year-old Finn Etter of Burlington, overhears my question to his father, the third member of our trio on the disc golf course at the Charlotte Town Beach. Finn flashes a grin as he picks up his disc bag.
“Probably about 250 or so feet,” Glenn Etter answers. “This hole isn’t too long,” he adds. “He might have gone a little over.”
“I didn’t,” Finn replies, plainly. “It’s just to the left.”
Glenn laughs with a familiar, focused look in his eye as he readies his own drive, which will be better than mine but shorter than his son’s. I don’t tell him how much that comforts me as the round progresses and Finn goes on to casually stomp us both.
Not that there’s any shame in losing to the kid. An amateur member of the Professional Disc Golf Association who plays on the PDGA Junior tour, Finn is among the best young disc golfers in the world. In 2018, at 8 years old, he won the U.S. Junior Disc Golf Championships. He signed a sponsorship deal with manufacturer Innova Disc Golf before he turned 10. In other words, Finn has been beating older players like me for a long time.
Disc golf has enjoyed increasing popularity ever since “Steady” Ed Headrick invented the Frisbee in 1966 and the disc golf basket in 1977. Even for non-prodigies, the game’s appeal is easy to see. For one, it gets you outside, often in serene settings. And while it’s fun to play with friends, it’s just as easy to pop out for a solo round — an attribute that drew many new players to the sport during this past year’s quarantine.
Disc golf is also, for the most part, free. All you need are discs, which are generally cheaper than $15, and a course with baskets — each typically a long metal pole with hanging chains surrounding a catch basin, usually yellow.
Disc golf courses are easy to find these days, from those in public parks, such as Center Chains in Waterbury’s Hope Davey Memorial Park and the Charlotte beach course, to numerous options at area high schools and colleges. The Smugglers’ Notch Disc Golf Center features two courses, Brewster Ridge and Fox Run Meadow, that are ranked among the top 15 in the country and charge fees to play.
When I started playing in the late 1990s, disc golf was basically just a bunch of people with beers and Frisbees. But the sport has experienced a sea change and become not only popular but highly organized.
Glenn has witnessed the transition, too. As we watch Finn casually sink a putt from 20 feet away, Glenn reveals that his early playing mirrored mine.
“Well, I’d just use Frisbees and toss them around on campus when I went to college,” he says. “I didn’t really start playing properly until Finn started when he was 4, after we moved to Vermont. By then, there were so many more opportunities in place — organizations and tournaments — especially once Finn started playing on the junior tour.”
Finn fell in love with the game quickly. For the first year or so after his family moved to Vermont from Eugene, Ore., they lived near Oakledge Park. Finn and Glenn would set up pop-up baskets and use the Burlington park as a makeshift course.
“He just wanted to play all the time,” Glenn recalls, “even if it was snowing.”
At age 5, Finn played in his first tournament at Smugglers’ Notch. Three years later, he won the U.S. Junior Disc Golf Championships there by a whopping 16 strokes — and caught the eyes of many seasoned players. They included Chris Young, then president of Green Mountain Disc Golf Club and one of the sport’s biggest proponents in Vermont.
“He was just so young, it was crazy,” Young tells me by phone. “There weren’t a ton of juniors at that point, so his game really stood out. To be that age and throw that smooth? Wow.”
click to enlarge
Caleb Kenna
Finn Etter at the Charlotte Town Beach disc golf course
Back on the course, I ask Finn about playing tournaments and whether he ever feels nervous, especially since he often competes against older players.
“Not really,” Finn says with a shrug. He tugs on the brim of his baseball cap as he recalls the 2018 junior championships. “There were some really good players there. But that’s my favorite course.”
Later, as Finn practices an assortment of putting techniques — one of which I will subsequently steal — I ask Glenn about his son’s mentality and seemingly casual attitude toward a sport in which he is a genuine prodigy.
“My role is really about keeping things light and fun … even if it’s at a tournament,” he explains. “But competition is fun to Finn; it isn’t something that scares him. Mistakes don’t bug him, either. He just moves on and throws the next disc.”
“His mental game is unbelievable,” Young agrees. “Honestly, 90 percent of this game is between the ears, especially in tournament play. The way he thinks and throws, he could contend for a world championship one day. It just matters how much he wants to put into it.”
Prodigious skill aside, Finn is still an 11-year-old boy with more than just disc golf on his mind. He loves playing baseball and soccer. He’s also an avid bird-watcher — another passion that began after his family’s move to Vermont.
“I think my favorite bird is a purple-crowned woodnymph,” Finn says after considerable deliberation as we reach the final basket.
“We saw that one in Panama, buddy,” Glenn reminds him. “What about here in Vermont?”
Finn runs through his putts as he contemplates his favorite birds. The sound of the basket’s chains rings through the park as he tosses disc after disc in quick succession, an exercise that’s clearly routine.
“There’s too many!” Finn protests with a laugh. Then, “I like the scarlet tanager.”
Glenn explains that Finn pitched a Little League game the day before, so he doesn’t want him to throw too many discs. Unfortunately, Finn hears this and quickly empties his bag, sending drive after drive flying through the blue Vermont skies.
With a rueful shake of his head, Glenn laughs. “I probably shouldn’t have told him that,” he says.
I suggest a game of P-I-G on the last putting green, in which a player has to match the previous player’s shot. The penalty for a mismatched shot is a letter — P, then I, then G. Spell “pig,” and you’re out; last player standing wins. Glenn suggests we trim the game to Y-O, in light of the hour.
The new competition sparks something in Finn, who for the first time during our visit seems genuinely excited to beat his father and the tagalong writer.
Glenn misses a couple of tough putts and gets a Y and an O in short order. But I make the mistake of throwing some good ones and inflicting a Y on Finn — though I have a letter, as well. He and I are now in a sudden-death playoff, and I finally have a chance to win something. For Finn, this will not do.
I miss a 15-footer, opening the door for him. Determined to finish the game, Finn steps even farther back. He brushes a strand of hair from his eyes and stares calmly at the basket. One might expect a face of intense concentration, but the more seriously Finn takes the game, the more relaxed he seems to become. With a flick of the wrist, his disc hits the chains as straight as an arrow.
“You win,” I say, as if the outcome had ever been in doubt.
Nonetheless, Finn breaks into a wide grin as he looks at his father.